Belgian Pointillist Painter, 1862-1926 was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Academy of Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Theo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there a total of one year and half. Barely 18 years old, he already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his Self-portrait with pipe (1880), painted in somber colours in the Belgian realistic tradition of that time. His Child in an open spot of the forest (1880) already departs from this style and he sets his first steps towards impressionism.   Related Paintings of Theo Van Rysselberghe :. | Man at the Helm | Portrait of Madame Charles Maus | The Sisters of the Painter Schlobach | Magnolias | The Sisters of the Painter Schlobach |
Related Artists:
Giovanni Francesco Barbieri Called Il Guercino
Cento 1591-Bologna 1666
Hermann Eschke
painted Der Fischer in 1823-1900
Francois-Marius Granet
1775-1849 French Francois Marius Granet Gallery French painter; student of J. L. David. Granet is known for his depictions of church interiors, among them his numerous versions of the Choir of the Capuchin Monastery, one of which is in the Metropolitan Museum. He bequeathed much of his own best work and also his fine collection of paintings to the museum of his native Aix-en-Provence.